Rock Art Research & Art History Home Reinaldo Morales Jr.
M.A. Thesis


30 November 2002




Allen, Mary K. "Grand Canyon Polychrome Pictographs." In Utah Rock Art, Volume VIII, edited by Bonnie Morris. Salt Lake City: Utah Rock Art Research Association, 1991.

_____. "New Frontiers in Rock Art: The Grand Canyon." In American Indian Rock Art, Volume 15, edited by Kay K. Sanger. San Miguel: American Rock Art Research Association, 1992.

_____. "Grand Canyon Pictographs: Comments on the Grand Canyon Polychrome Style." In Rock Art Papers, Volume 11. San Diego Museum Papers no. 31, edited by Ken Hedges. San Diego: San Diego Museum of Man, 1994.

_____. "Grand Canyon Polychrome Pictographs." Accessed 30 October 1998. Available at INTERNET.

Bahn, Paul and Jean Vertut. Journey Through the Ice Age. Berkeley and Los Angeles: Univ. of California Press, 1997.

Boyd, Carolyn E. and J. Philip Dering. "Medicinal and Hallucinogenic Plants Identified in the Sediments and Pictographs of the Lower Pecos, Texas Archaic." Antiquity 70, no. 268 (1996): 256-275.

Clottes, Jean. "Art of the Light and Art of the Depths." In Beyond Art: Pleistocene Image and Symbol. Edited by Margaret W. Conkey et al. San Francisco: California Academy of Sciences, 1997.

Comparative World Atlas. Maplewood, New Jersey: Hammond, 1990.

Crosby, Harry W. The Cave Paintings of Baja California. Rev. ed. San Diego: Sunbelt Publications, 1997.

Farmer, James D. "Style and Variation in Early Anasazi Art: The Green Mask Site in Grand Gulch, Utah." Ph.D. dissertation. University of Texas at Austin, 1992.

Fingerhut, Eugene R. Explorers of Pre-Columbian America? The Diffusionist-Inventionist Controversy. Claremont, California: Regina Books, 1994.

Gebhard, David. "The Diablo Cave Paintings." The Art Journal 20 no. 2 (Winter 1960-1961):79-82.

Grieder, Terrence. Origins of Pre-Columbian Art. Austin: Univ. of Texas Press, 1982.

Guidon, Nicole. Abris peints de la Serra Branca et de la Serra Nova, région de Varzea Grande, Etat du Piauí, Brésil. Relevés d'art rupestre préhistorique d'Amerique du Sud, URA no. 5 et RCP 394, Musée de l'Homme. Paris: Institut d'Ethnologie, 1973. Microfiche.

Guidon, Nicole, and Laurence Ogel-Ros. L'Abri Chapada dos Cruzes, site de la variété Serra da Capivara, et de style Serra do Tapuio, sud-est du Piauí, Brésil. Relevés d'art rupestre préhistorique d'Amerique du Sud, URA no. 5, RCP 394, Musée de l'Homme. Paris: Institut d'Ethnologie, 1978. Microfiche.

Guidon, Niède. "L'art rupestre du Piauí dans le contexte sudamericain. Une première proposition concernant méthodes et terminologie." Ph.D. Dissertation. University of Paris, Panthéon-Sorbonne, 1984.

_____. Peintures Préhistoriques du Brésil. Paris: Editions Recherche sus les Civilisations, 1991.

_____. "Traditions Rupestres de L’aire Archeologique de São Raimundo Nonato, Piauí, Bresil." In Rock Art Studies in the Americas, edited by Jack Steinbring. Oxford: Oxbow Books, 1995.

Ilger, Wayne, Marian Hyman, John Southon, and Marvin Rowe. "Dating Pictographs with Radiocarbon." Radiocarbon 37, no. 2 (1995): 299-310.

Jennings, Jesse D. "Prehistory: Introduction." In Great Basin, edited by Warren L. d’Azevedo. Vol. 11. Handbook of North American Indians. Washington: Smithsonian Institution, 1986.

Joyce, T. A. "The Weeping God." Essays and Studies presented to William Ridgeway on his 60th Birthday. n.p., 1913. Quoted in William Ridgeway, The Dramas and Dramatic Dances of Non-European Races, (New York: Benjamin Blom, 1964), 359.

Martin, Gabriela. Pré-História do Nordeste do Brasil. 2nd ed. Recife: Editoria Universitária da UFPE, 1997.

Meighan, Clement W. "Prehistoric Rock Paintings in Baja California." American Antiquity 31, no. 3 (1966): 372-392.

_____. "The Rock Art of Baja California." In Images on Stone: Rock Art of the Californias, edited by Jo Anne Van Tilburg. Los Angeles: Regents of the Univ. of California, 1983.

Newcomb, Jr., W. W., and Forrest Kirkland. The Rock Art of Texas Indians. Austin: Univ. of Texas Press, 1967.

Pessis, Anne-Marie. "Art rupestre préhistorique: premiers registres de la mise en scène." Ph.D. Dissertation. University of Paris X, Nanterre, 1987.

_____. "Graphic and Social Representation in the Nordeste Tradition of Rock Painting in Brazil." In Rock Art Studies in the Americas, edited by Jack Steinbring. Oxford: Oxbow Books, 1995.

Schaafsma, Curtis S. "Settlement Patterns and Social Organization During the Southwestern Archaic." Paper delivered at the Anasazi Symposium, Mesa Verde National Park, CO, 1981.

Schaafsma, Polly. The Rock Art of Utah. Salt Lake City: Univ. of Utah Press, 1971.

_____. Indian Rock Art of the Southwest. Santa Fe: School of American Research, 1980.

_____. "Form, Content, and Function: Theory and Method in North American Rock Art Studies." In Advances in Archaeological Method and Theory. Vol. 8. New York: Academic Press, 1985.

_____. "Shamans' Gallery: A Grand Canyon Rock Art Site." Final Report for Grand Canyon National Park Resource Management and Planning Division. 1988.

_____. "Shamans’ Gallery: A Grand Canyon Rock Art Site." Kiva 55, no. 3 (1990), 213-234.

Schroedl, Alan R., and Nancy J. Coulam. "Cowboy Cave Revisited." In Utah Archaeology 7, no. 1 (1994): 1-34.

Shafer, Harry. Ancient Texans: Rock Art and Lifeways Along the Lower Pecos. Houston: Gulf Publishing, 1992.

Sucec, David. "Toward a Typology of Barrier Canyon Style Spirit Figures: Early Findings of the BCS-PROJECT (1991 - 1995)." In Utah Rock Art Volume XV, edited by Nina Bowen, Clari Clapp, and Helen Mulder. Salt Lake City: Utah Rock Art Research Association, 1997.

Tipps, Betsy L. "Cultural Resource Inventory and Testing Near Squaw Butte, Needles District, Canyonlands National Park, Utah." Chap. 6. Holocene Archeology Near Squaw Butte, Canyonlands National Park, Utah. Cultural Resources Report 411-04-9102. Denver: National Park Service, Rocky Mountain Regional Office, 1994.

Turpin, Solveig A. Seminole Canyon: The Art and the Archaeology. Texas Archaeological Survey Research Report No. 83. Austin: Univ. of Texas, 1982.

_____. "Rock Art and Hunter-Gatherer Archaeology: A Case Study from SW Texas and Northern Mexico." Journal of Field Archaeology 17, no. 3 (1990): 263-281.

_____. "On a Wing and a Prayer: Flight Metaphors in Pecos River Art." In Shamanism and Rock Art in North America, edited by Solveig A. Turpin. San Antonio: Rock Art Foundation, 1994.

_____. "Style and Substance: What is the Pecos River Style?" Rock Art Federation. Accessed 27 March 1998. Available at INTERNET.

Waller, Steven J. "Spatial Correlation of Acoustics and Rock Art in Horseshoe Canyon, Utah" In American Indian Rock Art. Forthcoming.

Wölfflin, Heinrich. Kunstgeschichtliche Grundbegriffe: Das Problem der Stilentwicklung in der Neueren Kunst, München: Hugo Bruckmann, 1917.
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