Rock Art Research & Art History Home Reinaldo Morales Jr.
Ph.D. Dissertation

part 2

6 July 2002




Ab'Sáber through Galvão

Geib through Lowie

Manenti through Pessis

Picchi through Young

Geib, Phil R. "Radiocarbon Record for Archaic Occupation of the Central Colorado Plateau." In Proceedings of the Second Biennial Conference on Research in Colorado Plateau National Parks, 25-28 October 1993, edited by Charles van Riper III, 89-136. National Park Service Transactions and Proceedings Series NPS/ NRNAU/ NRTP-95/11, 1995.

______. Glen Canyon Revisited. Salt Lake City: University of Utah Press, 1996.

Goulding, Michael. The Fishes and the Forest. Berkeley and Los Angeles: University of California Press, 1980.

Gregor, Thomas. Mehinaku: The Drama of Daily Life in a Brazilian Indian Village. Chicago: University of Chicago Press, 1977.

______. Anxious Pleasures: The Sexual Lives of an Amazonian People. Chicago: University of Chicago Press, 1985.

Gregor, Thomas, and David Ash. Mehinacu. Produced and directed by Carlos Pasini. 50 min. Disappearing World series, Granada Television, 1980. VHS videocassette.

Grieder, Terence. "The Interpretation of Ancient Symbols." American Anthropologist 77(1975): 849-855.

______. Origins of Pre-Columbian Art. Austin: University of Texas Press, 1982.

______. Artist and Audience. 2nd ed. 1990; Madison, WI: Brown and Benchmark, 1996.

Guérin, Claude, Maria Amélia Curvello, Martine Fuare, Marguerite Hugueney, and Cécile Mourer-Chauviré. "A fauna pleistocênica do Piauí (Nordeste do Brasil): Relações paleoecológicas e biocronológicas." In FUMDHAMentos: Proceedings of the International Meeting on the Peopling of the Americas, São Raimundo Nonato, Piauí, Brazil (1993), edited by Anne-Marie Pessis. Revista da Fundação Museu do Homem Americano, V. 1, no. 1, 55-103. São Raimundo Nonato: FUMDHAM, 1996.

Guidon, Nicole. Abris peints de la Serra Branca et de la Serra Nova, région de Varzea Grande, Etat du Piauí, Brésil. Relevés d'art rupestre préhistorique d'Amerique du Sud, URA no. 5 et RCP 394, Musée de l'Homme. Paris: Institut d'Ethnologie, 1973. Microfiche.

Guidon, Nicole, and Laurence Ogel-Ros. L'Abri Chapada dos Cruzes, site de la variété Serra da Capivara, et de style Serra do Tapuio, sud-est du Piauí, Brésil. Relevés d'art rupestre préhistorique d'Amerique du Sud, URA no. 5, RCP 394, Musée de l'Homme. Paris: Institut d'Ethnologie, 1978. Microfiche.

Guidon, Niède. Abris Peints de la Serra da Capivara, région de Varzea Grande, Etat du Piaui, Brésil. Relevés d'art rupestre préhistorique d'Amerique du Sud, URA no. 5, RCP 394, Musée de l'Homme. Paris: Institut d'Ethnologie, 1975. Microfiche.

______. Peintures Rupestres de Varzea Grande, Piaui, Brésil. Cahiers d'Archéologie d'Amérique du Sud, 3. Paris: Ecole des Hautes Etudes en Sciences Sociales, 1975.

______. "Datações pelo C14 de Sítios Arqueológicos em São Raimundo Nonato, Sudeste do Piauí (Brasil). CLIO - Série Arqueológica 4(1981): 35-37.

______. "Art Rupestre: Une Synthese du Procede de Rechereche." Etudes Americanistes Interdisciplinaires 1(1982): 41-54.

______. "De l'Operationnalite des Classements Preliminaires." Etudes Americanistes Interdisciplinaires 2(1983): 1-22.

______. "L'art rupestre du Piauí dans le contexte sudamericain. Une première proposition concernant méthodes et terminologie." Doctoral thesis. University of Paris, Panthéon-Sorbonne, 1984.

______. "Les Premières Occupations Humaines de L'Aire Archéologique de São Raimundo Nonato - Piaui - Brésil." L'Anthropologie 88(1984)2: 263-71.

______. "A Sequëncia Cultural da Area de São Raimundo Nonato, Piauí." CLIO - Série Arqueológica 8(1986): 137-161.

______. "Notas sobre dois sítios da área arqueológica de São Raimundo Nonato, Piauí." CLIO - Série Arqueológica 5(1989): 41-46.

______. "Tradições rupestres da área arqueológica de São Raimundo Nonato, Piauí, Brasil." CLIO - Série Arqueológica 5(1989): 5-10.

______. Peintures Préhistoriques du Brésil. Paris: Editions Recherche sus les Civilisations, 1991.

______. "Traditions Rupestres de L'aire Archeologique de São Raimundo Nonato, Piauí, Bresil." In Rock Art Studies in the Americas, edited by Jack Steinbring. Oxford: Oxbow Books, 1995.

______. "As Ocupações Pré-históricas do Brasil (Executando a Amazônia)." In História dos Índios no Brasil, org. Manuela Carneiro da Cunha, 37-52. 2nd ed. São Paulo: Companhia das Letras, 1998.

Guidon, Niède, and B. Arnaud. "The Chronology of the New World: Two Faces of One Reality." World Archaeology 23(1991)2:167-78.

Guidon, Niède, and Georgette Delibrias. "Inventaire des Sites Sud-Américains Antérieurs a 12 000 ans." L'Anthropologie 89(1985)3: 385-408.

______. "Carbon-14 dates Point to Man in the Americas 32,000 Years Ago." Nature 321(June 19, 1986): 769-71.

Guidon, N., A.-M. Pessis, Fabio Parenti, Michel Fontugne, Claude Guérin. "Nature and Age of Deposits in Pedra Furada, Brazil: Reply to Meltzer, Adovasio & Dillehay." Antiquity 70(1996): 408-21.

Hartmann, Günter. Masken Südamerikanischer Naturvölker. Berlin: Museum für Völkerkunde, 1967.

Hawkes, Terence. Structuralism and Semiotics. Berkeley and Los Angeles, California: University of California Press, 1977.

Heckenberger, Michael J. "War and Peace in the Shadow of Empire: Sociopolitical Change in the Upper Xingu of Southeastern Amazonia, A.D. 1400-2000." Ph.D. dissertation, University of Pittsburg, 1996.

______. "Manioc agriculture and sedentism in Amazonia: the Upper Xingu example." Antiquity 72(1998): 633-648.

Hodgson, Derek. "Shamanism, Phosphenes, and Early Art: An Alternative Synthesis." Current Anthropology 41(December 2000)5: 866-873.

Human Relations Area Files. "What is an Archaeological Tradition?" Yale University [online] [accessed 23 September, 2001].

Hyman, Marian, and Marvin W. Rowe. "Plasma extraction and AMS 14C dating of rock paintings." Techne 5(1997): 61-70.

Ilger, Wayne, Marian Hyman, John Southon, and Marvin Rowe. "Dating Pictographs with Radiocarbon." Radiocarbon 37(1995)2: 299-310.

Instituto Brasileiro de Geografia e Estatística. Mapa etno-histórica de Curt Nimuendaju. 2nd printing. Rio de Janeiro: Instituto Brasileiro de Geografia e Estatística in collaborationwith the Fundação National Pró-Memória, 1987.

Invisible People: Arts of the Amazon, the Mekler Collection. Exhibition catalogue, Fresno Art Museum, November 24, 1991-May 31, 1992. Fresno, California: Fresno Art Museum, 1992.

Ireland, Emilienne. "Neither Warriors nor victims, the Wauja Peacefully Organize to Defend Their Land." Cultural Survival Quarterly 15(January 1991)1: 54-57.

Jennings, Jesse D. "Prehistory: Introduction." In Great Basin, edited by Warren L. d'Azevedo, 113-119. Vol. 11. Handbook of North American Indians. Washington: Smithsonian Institution, 1986.

Juniper, A.T. and Yamashita, C. "The habitat and status of Spix's macaw Cyanopsitta spixii." Bird Conservation International 1(1991): 1-9.

"Kayapo Indian Headdresses: How a photographic assignment served as the catalyst in the Smithsonian's acquisition of a collection of beautiful Brazilian Indian feather headdresses." Photography by Carl C. Hansen Page Design, Mark-up (and FUNAI pictures) by Laurie Minor-Penland. Smithsonian Institution, 1995. [online].

Kehoe, Alice B. "'Shaman': Bad Etics, Ethics." Anthropology News 42(January 2001)1: 4.

Kennedy, Gladys Isabel. "A Study of the Myths of the Xingu Indians Living in the Drainage Basin of the Xingu River, Brazil." Master's thesis, Western Washington State College, 1977.

Kipnis, Renato. "Early hunter-gatherers in the Americas: perspectives from central Brazil." Antiquity 72(1998): 581-592.

Kubler, George. The Shape of Time: Remarks on the History of Things. New Haven and London: Yale University Press, 1962.

Lagrou, Elsje Maria. "Uma Etnografia da Cultura Kaxinawa: entre a Cobra e o Inca." Master's dissertation, Federal University of Santa Catarina, 1991.

Lawal, Babatunde. The Gèlèdé Spectacle: Art, Gender, and Social Harmony in an African Culture. Seatle: University of Washington Press, 1996.

Layton, Robert. "Ethnographic Study and Symbolic Analysis." In Handbook of Rock Art Research, edited by David S. Whitley, 311-331. Walnut Creek, California: AltaMira Press, 2001.

Ledru, Marie-Pierre, Pedro Ivo Soares Braga, François Soubiès, Marc Fournier, Louis Martin, Kentiro Suguio, and Bruno Turcq. "The Last 50,000 years in the Neotropics (Southern Brazil): evolution of vegetation and climate." Paleogeography, Paleoclimatology, Paleoecology, 123(1996): 239-57.

Leroi-Gourhan, André. Préhistoire de l'art occidental. Paris: Mazenod, 1965.

______. The Art of Prehistoric Man in Western Europe. Translated by Norbert Guterman. London: Thames & Hudson, 1968.

______. Gesture and Speech. Translated by Anna Bostock Berger. Cambridge: Massachusetts Institute of Technology Press, 1988.

Lewis-Williams, J. David. The Rock Art of Southern Africa. Cambridge: Cambridge University Press, 1983.

______. "Harnessing the Brain: Vision and Shamanism in Upper Paleolithic Western Europe." In Beyond Art: Pleistocene Image and Symbol, edited by Margaret W. Conkey, Olga Soffer, Deborah Stratmann, and Nina G. Jablonski, 321-42. Wattis Symposium Series in Anthropology. Memoirs of the California Academy of Sciences, Number 23. San Francisco: California Academy of Sciences, 1997.

______. "Brainstorming Images: Neuropsychology and Rock Art Research." In Handbook of Rock Art Research, edited by David S. Whitley, 332-357. Walnut Creek, California: AltaMira Press, 2001.

Levi-Strauss, Claude. The Raw and the Cooked. Translated by John and Doreen Weightman. New York: Harper & Row, 1969; New York: Octagon Books, 1979.

______. Tristes Tropiques. Translated by John and Doreen Weightman. London: Jonathan Cape, 1973; New York: Modern Library, 1997.

Loizos, Peter. "Images of Man." In Not Work Alone: A cross-cultural view of activities superfluous to survival, edited by Jeremy Cherfas and Roger Lewin, 231-239. London: Temple Smith, 1980.

Loukotka, Cestmír. Classification of South American Indian Languages. Los Angeles: UCLA Center for Latin American Studies, 1968.

Lowie, Robert H. "The Pancararú." In Handbook of South American Indians, Vol. 1, The Marginal Tribes, edited by Julian H. Steward, 561. New York: Cooper Square, 1963.

Manenti through Pessis

Additional Excerpts:

Sample Illustrations

Table of Contents

Excerpt from the Introduction

Excerpt from Chapter 1

Excerpt from Chapter 2

Excerpt from Chapter 3

Excerpt from Chapter 4

Excerpt from Conclusions

Excerpt from the Appendix

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Department of Art History,
Virginia Commonwealth University, Richmond, Virginia, USA.
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